Allan Houser
U.S. 1914-1994
Pueblo Buffalo Dancer
1991, charcoal
Allan Houser’s charcoal drawing, Pueblo Buffalo Dancer, caught my eye as a portrayal of a relationship between humans and the landscape, because it’s a simple, bold depiction of a Native American dancer adorning numerous ornaments obtained from nature.
The subject of the artwork is clear since there is no background aside for light shading of swirls that empower the artwork’s tone of energy. Also with the dancer being centered on the canvas and having extremely dark skin, made all the darker because of the charcoal, his dark torso and darker face drew my eye at first. Although the facial features are fierce, the dancer has only basic ones with little detail given which led me to believe Houser intended for the dancer’s face to convey a strong, intense feeling while also letting it be known that the dancer’s identity is not the focus of the artwork. Instead, far more detail is given to the dancer’s horned buffalo headdress, his shell pendant, his kilt with a depicted snake, and all other ornaments on him. My gaze was directed to the person himself causing me to understand the tone of the art and then drawn to the surrounding details in wonder of their meaning.
I think that the contrast between the simplicity of the dancer himself and the detailed accessories on him is the key to understanding the meaning of this artwork. In my opinion, the dancer’s ornaments were intentionally given much attention to show that the dance was an extremely symbolic act. Native American dances are prominently known for their deep-rooted characteristics and symbolism, and wearing the ornaments must have intensified the significance. The depiction of this dancer shows that back in the time of the Pueblo people, there was a relationship between humans and nature in which humans utilized and respected the aspects of nature.